The Sala began as a question: what does rest actually look like in the moments between rooms? Not the performance of relaxation — the real thing, on the side of a sofa or at the foot of a bed. Low to the ground, wide in the seat, upholstered in a single continuous fabric with no interruption. A quiet companion at the side of a primary seat — extra seating, footrest, or sculptural object.
Named after the river that moves slowly through Bangkok's west, the Mae Klong headboard was inspired by the way water catches light at dusk — unhurried, generous, present. The upholstered panel rises in a single clean arc. Built to be the last thing you see at night and the first thing that orients you in the morning.
Tables in Seoul share one quality: they hold stillness. The Gangnam was designed with that in mind — a solid hardwood disc above a tapered cylinder base, both turned from the same timber so the grain runs continuous from top to floor. Nothing decorative. Everything considered.
Phra Nakhon is Bangkok's oldest district — layered, assured, unhurried. The chair that takes its name was designed to read clearly from across the room. High-back, tight upholstery, a silhouette that commands its corner. Placed alone or within a set, it earns its space.
Built around the way you sit, not the way the chair would prefer to be sat in. The Sathorn is a low-profile tub armchair with a deep continuous seat and a tightly upholstered back. The accent cushion in a contrasting leather or velvet — your choice — is the one moment of decoration.
A natural-stone disc set on a slatted hardwood pedestal — the most quiet, most certain side table we make. The Nimman is meant to live at the side of a sofa or bed, holding what you've just put down. Marble or travertine above, solid oak or cherry below, turned and slatted by hand.
Named after Seoul's most layered neighbourhood — international, confident, never quite predictable. The Itaewon is a fully upholstered swivel lounge chair on a polished pedestal base. The 360° swivel turns silently; the proportions stay clean from every angle. Custom fabric, custom base finish, custom dimensions.
Bangkok's most ordered district inspires a chair built around the logic of your body — fully rounded, fully upholstered, with no visible frame and no hard edges. The Silom is held together by tension and craftsmanship rather than visible structure. The result is a silhouette that reads as a single confident gesture across the room.
Cheongdam is where Seoul goes when it wants to be seen. The chair that takes its name is unhurried and certain — a tightly upholstered tub silhouette with rounded shoulders and a single continuous front line. The wool, mohair, or velvet you choose decides everything else; the architecture stays the same.
Ari is Bangkok's quietest creative neighbourhood — independent, considered, slightly apart from the noise. The loveseat that takes its name works the same way: it holds its corner of the room with total composure. Two-tone upholstery — bouclé back and shoulders, velvet or linen seat — with hand-applied seam detailing along the silhouette.
Named after a Seoul street that runs quietly beneath the city's noise, the Wonhyo is a hand-built curved three-seat sofa in continuous upholstery. The arc is set against the wall to soften an entire corner of the room. No visible joins, no protruding cushions — just the gentle curve and the two scatter pillows in a contrasting fabric.